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Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

三星半，我感覺就是不要為了所謂的愛情為了一個不值得的人飛蛾撲火。

不是…連我這種自由派都受不了美國這種過于zzzq矯正過枉…所以candyman就是黑人臆想出來的抵抗壓迫他們的人的超級英雄唄。那我更喜歡黑豹這類的。我真不想說身邊接觸的一些黑人女真的都有迫害妄想癥以及自卑內(nèi)在顯現(xiàn)的自負(fù)外在，還有懶。

戲中戲的設(shè)計不錯，贊達(dá)亞的演技有目共睹。雌競?cè)侨藚挕?/div>

本片改編於克裏夫巴克的短篇小說，在原版基礎(chǔ)上強(qiáng)化了不少細(xì)節(jié)，並用皮影戲簡潔有力地延續(xù)了這個可怖的都市傳說。編導(dǎo)有意強(qiáng)調(diào)如今的黑人雖然已經(jīng)身居上流社會，但在光鮮的外表依舊是被歧視的階級，用大量風(fēng)格化的攝影手法（如霓虹燈光，特殊攝影角度）去表達(dá)暴力血腥場面，有一種獨特的幽默感，展示了編導(dǎo)的深厚功力。只是此片似乎過於注重政治話題的表達(dá)，而缺乏戲劇上的轉(zhuǎn)折，令幾場高潮的屠殺戲過於直白，這種直奔主題的處理方式有考慮不周的缺陷，似乎也是當(dāng)下黑人控訴題材需要注意的一點。