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圣誕快樂。好他媽難看。

花了三十五分鐘左右寫了一個過于單純的人，把拿捏男人這件事拍的直白的像做菜，關鍵是人有這個命，總會順利終結，這點倒像邪典片最初的定義：拼接的劇情，產(chǎn)生迷狂的效果（指風月片）。

7分，一位有躁郁癥的父親如何面對本已破碎的家庭，離開的伴侶、同樣躁郁的前妻、同居的女兒、獨居的母親。從無法表達自己的真實情感，只能瘋狂或是抑郁，到最后學會和自己和解，控制情緒。其實電影里的圣地亞哥恰好可以用原片名來描述，快愛上了，但想要完成最后的這一步表達對于躁郁的他卻很困難，于是只好懷著這顆流浪而壓抑的心在生活中四處碰壁，這個心結最終還是要靠自己來解。

Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.

和前座走了不同的路線但同樣精致精彩，雖然猜出了一些劇情但全程還是酣暢淋漓 Daniel you sussy baka #TIFF